Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside, 2025
Paracord, photographs, bioplastic, plant matter, filtered light.
Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD
For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.
Hothouse on the upside