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  <url>
    <loc>http://www.aimeebeaubien.com/contact</loc>
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    <lastmod>2014-09-23</lastmod>
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      <image:title>Contact (OLD LAYOUT)</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/about</loc>
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    <lastmod>2019-01-19</lastmod>
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  <url>
    <loc>http://www.aimeebeaubien.com/winter-thicket</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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    <image:image>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
    </image:image>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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      <image:title>Winter Thicket</image:title>
      <image:caption>Winter Thicket, 2015 cut-up inkjet prints, yarn, pile of brightly painted furniture, glass bottles, ceramic jugs, dried lemons, dried limes, porcelain vase, shelf Winter Thicket, Demo Project, Springfield, IL</image:caption>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/always-wherever</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-05</lastmod>
    <image:image>
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      <image:title>Always Wherever</image:title>
      <image:caption>Unfettered attachments, 2012 cut-up inkjet prints 39 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405368962005-UZT3EMQLV0P0DAGVG7B1/Beaubien_2_a.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Unfettered attachments, 2012 cut-up inkjet prints 39 x 30 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405368960946-FFJQ9O8CVE6SW3LKR3G0/Beaubien_2_b.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>These were taken, 2012 cut-up inkjet prints 31 x 2 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405368981183-MILU6N8DHQ5912VSL7RB/Beaubien_2_c.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Between in between, 2013 cut-up inkjet prints 29 x 22 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405368987845-N14LTA3DY0DID8V2X44J/Beaubien_2_d.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Standing by, 2012 cut-up inkjet prints 38 x 24 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369007299-UZUFRDIK6IJF91VJWNMQ/Beaubien_2_e.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Fancy manta, 2013 cut-up inkjet prints 46 x 28 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369024226-5THOUN73A6YG4TGSESU8/Beaubien_2_f.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Quite a lot, 2012 cut-up inkjet prints 42 x 31.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369033316-LGTUYY700A7XZXY3ZCQ6/Beaubien_2_g.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Around getting through, 2013 cut-up inkjet prints 39 x 29 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369047125-RSJI01BS327HRKEYJELR/Beaubien_2_h.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Overlapping progression, 2013 cut-up inkjet prints 21 x 17.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369057401-J2UTQOKYGLYIYMS21KSV/Beaubien_2_i.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Woven patter, 2013 cut-up inkjet prints 47 x 37 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405369064039-USEBVRW8J0WI3EZ9XKMX/Beaubien_2_j.jpg</image:loc>
      <image:title>Always Wherever</image:title>
      <image:caption>Feverish follies, 2013 cut-up inkjet prints 26 x 26 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/only-part</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374682085-949RZ9NU4PEFUBCLJM47/Beaubien_3_a.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>All those beautiful leaves are gone now, 2010 unique collage with vintage photo and gouache on paper 4 x 5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374682085-949RZ9NU4PEFUBCLJM47/Beaubien_3_a.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>All those beautiful leaves are gone now, 2010 unique collage with vintage photo and gouache on paper 4 x 5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374694195-FEOVOYD321K35NA4SB17/Beaubien_3_b.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Strange in background, 2010 unique collage with vintage photo and gouache on paper 3 x 2.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374703436-7LCJOSOR56ABMXXA2YAL/Beaubien_3_c.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Ever hope to see again, 2010 unique collage with vintage photo and gouache on paper 3.5 x 3.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374725952-1X8HL4FRWY88PCYE8B40/Beaubien_3_d.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Entirely different, 2011 unique collage with vintage photo and gouache on paper 7.5 x 8.25 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374716398-B95PBLNOROGUJM5Q76PK/Beaubien_3_e.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>With everything, 2011 unique collage with vintage photos and gouache on paper 4.5 x 4.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374730570-PYY7FACP2L5EAJAK8GB5/Beaubien_3_f.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>All out of place, 2010 unique collage with vintage photos and gouache on paper 4 x 4.25 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374749686-P7E8102DA6QHJI68AHXU/Beaubien_3_g.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Always wherever, 2010 unique collage with vintage photo, color pencil and gouache on paper 3.5 x 3.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374774716-RNVU3SINX5LAJRNSWGBR/Beaubien_3_h.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Just going round, 2010 unique collage with vintage photos and gouache on paper 7 x 3.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374767632-UKLP9E1L3C1DZSXJ5KZF/Beaubien_3_i.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>On each end up there, 2010 unique collage with vintage photos and gouache on paper 6.5 x 5.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405374781732-27CPN5MT2C0QFSY7188K/Beaubien_3_j.jpg</image:loc>
      <image:title>Only Part</image:title>
      <image:caption>Across over there, 2011 unique collage with vintage photos and gouache on paper 3.5 x 3.5 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/taken-away</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2014-07-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375480215-SKVB7VAVBNZ60QZSTH5X/Beaubien_5_a.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Taken away back when all ready to go, 2008 unique collage with photographs 16.5 x 5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375480215-SKVB7VAVBNZ60QZSTH5X/Beaubien_5_a.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Taken away back when all ready to go, 2008 unique collage with photographs 16.5 x 5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375472593-FG67FRORD4013O4RKVVS/Beaubien_5_b.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>But only part of this appears at first sight well sometimes we are like that, 2008 unique collage with photographs 26 x 19 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375490665-BVYU5KGSALSQ6UQDXUYN/Beaubien_5_c.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>All out of place just beyond these mountains I'll never know all very good now, 2008 unique collage with photographs 34 x 25 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375500555-FL25NOH0USBNKIKV1MEG/Beaubien_5_d.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Revisit old times over some cute trick one time way back, 2008 unique collage with photographs 16 x 8 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375511283-LC9MW60ODH9GKTJZC7E1/Beaubien_5_e.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Goes around real good on the brink of a snap leaning into the background, 2008 unique collage with photographs 24 x 14 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375521722-AJKS6VQJU6MEKWJ9RVOS/Beaubien_5_f.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>So many tiny memories branch out over these years for ever more, 2008 unique collage with photographs 26.5 x 17 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375525911-H4OD334IZP6Z6UQROEPJ/Beaubien_5_g.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Leaves fall overnight the dearest face of all to me see how it shines, 2008 unique collage with photographs 10.5 x 15 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375537242-5IMQRTRGZ2ZB6G15TONZ/Beaubien_5_h.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Soon to leave here night time seemed so elegant where is home, 2008 unique collage with photographs 32 x 28.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375549131-F9HS5D4III9DUI1UWWTO/Beaubien_5_i.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>Birds flying  round and round in a circle steps up there, 2008 unique collage with photographs 13 x 6.5 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405375552086-82CLR3S5IERILZDK6ECR/Beaubien_5_j.jpg</image:loc>
      <image:title>Taken Away</image:title>
      <image:caption>So glad I did go again one more time  love fondly, 2008 unique collage with photographs 11.5 x 10.5 inches</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog</loc>
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    <priority>0.75</priority>
    <lastmod>2025-02-23</lastmod>
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    <loc>http://www.aimeebeaubien.com/blog/2025/2/23/photography-educator-is-a-monthly-series-on-lenscratch</loc>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2024/7/16/artist-of-the-week-aime-beaubien</loc>
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    <lastmod>2024-07-16</lastmod>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2024/3/13/unprecedented-growth-a-review-of-through-the-hothouse-by-aime-beaubien-at-hpac</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-03-13</lastmod>
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      <image:title>Blog - Unprecedented Growth: A Review of “Through the Hothouse” by Aimée Beaubien at HPAC - Make it stand out</image:title>
      <image:caption>As I walked through the hallway a second time, a dried oak leaf encased in the scrawled lines of a plastic enclosure caught my attention amidst the tangles of cabling surrounding it. Beaubien has created several installations exploring the “Hothouse” since 2015; for this most recent version, she used a 3D printing pen to draw many of the shapes populating her hallway. Further down the path, my eyes were drawn to a different suspended leaf that upon closer inspection revealed itself to be a paper cutout. The vibrant lighting in Beaubien’s hallway is disorienting to the point that it conceals more than it reveals, but it also helps certain details stand out within the visual cacophony of the “Hothouse.” Resting on the floor near one end of the exhibition is a book lit by a cyan floodlight, titled “Garden Flowers in Color,” opened to a page with information on petunias. The artificial environment of the “Hothouse” makes the book’s cheery indexical language feel like a description of an extinct species. Beaubien’s layered approach to this exhibition extends the practice of landscape photography from imagery to substance. “Through the Hothouse” also wrestles with the fallibility of descriptions as a stand-in for the real world: One needn’t stop and smell the printed petunias along the way.</image:caption>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2024/2/4/aime-beaubien-into-the-hothouse-art-exhibition-at-gmu</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-02-04</lastmod>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2024/1/25/aime-beaubien-through-the-hothouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2024-01-25</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/94bf12ee-9979-40fe-bea2-585ab6ff9e2a/hyde+park.png</image:loc>
      <image:title>Blog - AIMÉE BEAUBIEN: THROUGH THE HOTHOUSE - Make it stand out</image:title>
      <image:caption>HYDE PARK ART CENTER | March 2 – June 2, 2024 Aimée Beaubien, the internationally exhibited artist who has established herself as an educator and peer in the Chicago art community, showcases her innovative techniques in Through the Hothouse. The installation transforms a 92-foot-long hallway into a green corridor by integrating elements such as plant matter, weaving, photographs, and 3D drawings. These elements symbolize the intricate interplay between ecological, social, and cultural dimensions within the vibrant creative community of the Art Center.  Since 2015, Beaubien has been creating a series of site-specific installations loosely centered on the concept of a hothouse—a deliberately hybrid environment designed to nurture rapid development. Expanding on the series, this exhibition will amaze audiences with Beaubien’s debut innovative technique of drawing on recently cut plant material (like tulips, sunflowers, and branches) with a 3D pen using PLA bioplastic filament. The result is a floating landscape of voluminous, brightly colored sculptures that preserve nature in an uncanny manner. The installation will immerse viewers in a rare garden of strange and enticing forms that remind us of the wonder typically only found outdoors.  “Photographs and plants are intricately interwoven throughout the fabric of my work. I map connections between contemporary life and the fragmented state of nature. In a world where nature is being increasingly depleted, I utilize the photographic medium’s capacity for infinite reproduction to envision a boundless propagation of plant life.” – Aimée Beaubien Beaubien’s work challenges common assumptions about landscape and raises important questions about preservation, conservation, and care for green space within the built environment.</image:caption>
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      <image:title>Blog - AIMÉE BEAUBIEN: THROUGH THE HOTHOUSE</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2023/8/25/aime-beaubien-into-the-hothouse</loc>
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    <priority>0.5</priority>
    <lastmod>2023-08-25</lastmod>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2022/9/5/faculty-sabbatical-triennial-exhibition</loc>
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    <priority>0.5</priority>
    <lastmod>2022-09-05</lastmod>
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      <image:title>Blog - Faculty Sabbatical Triennial Exhibition at SAIC galleries - Make it stand out</image:title>
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      <image:title>Blog - FOCUS ON INSTALLATION: AIMÉE BEAUBIEN By Aline SmithsonApril 5, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1617639667037-U9N8VHVIZC2Q98XTIS2W/Beaubien_09_rooted-looping-scrambling-rambling-tangling-twining-tendrils.jpg</image:loc>
      <image:title>Blog - FOCUS ON INSTALLATION: AIMÉE BEAUBIEN By Aline SmithsonApril 5, 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1617639703104-0736447KZAJBGY0TRSZU/Beaubien_10_Twist_Affix.jpg</image:loc>
      <image:title>Blog - FOCUS ON INSTALLATION: AIMÉE BEAUBIEN By Aline SmithsonApril 5, 2021</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1617639738686-IVDV8R7C4O197XME5HIL/Beaubien_11_Cuttings.jpg</image:loc>
      <image:title>Blog - FOCUS ON INSTALLATION: AIMÉE BEAUBIEN By Aline SmithsonApril 5, 2021</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1617639763787-2WAZT1USFK66ETUP7DK5/Beaubien_12_About_Leaves.jpg</image:loc>
      <image:title>Blog - FOCUS ON INSTALLATION: AIMÉE BEAUBIEN By Aline SmithsonApril 5, 2021</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2021/4/5/sf-camerawork-artist-talk-with-aime-beaubien-2020-san-francisco-camerawork-exhibition-award-winner</loc>
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    <priority>0.5</priority>
    <lastmod>2021-04-05</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/10/13/creative-quarantine-artist-aime-beaubien</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-14</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642575279-OMXUIM7LYESU0RCHLZUK/Beaubien_010_Twist_Affix.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Twist Affix | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, dried plants, grow light on fabric cord, oscillating fan | © Aimée Beaubien, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642648436-34CWD09MWYLGXCY9APFU/Beaubien_001_Dangling_Cluster.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Dangling Cluster | dimensions variable | cut-up photographs, gilded leaves, PLA filament leaf drawings, paracord, tree branch | © Aimée Beaubien, 2020</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642787312-6XYWDTIPK00GK181XZHQ/Beaubien_002_Hothouse_Picture-Cyclopedia.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Hothouse Picture-Cyclopedia | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, polymer chains, porcelain chains, PLA filament leaf drawings, vintage garden books, dried plants grow lights on fabric cord | © Aimée Beaubien, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642861449-9F1ISQH0KZ2LL6GA0FJT/Beaubien_008_rooted-looping-scrambling-rambling-tangling-twining-tendril.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>rooted-looping-scrambling-rambling-tangling-twining-tendrils | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, polymer chains, porcelain chains, PLA filament leaf drawings, gilded leaves, dried plants, vintage garden books, grow lights on fabric cord | © Aimée Beaubien, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642923083-W01BWJMX0NYB4C1SG527/Beaubien_003_rooted-looping-scrambling-rambling-tangling-twining-tendrils.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>rooted-looping-scrambling-rambling-tangling-twining-tendrils | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, polymer chains, porcelain chains, PLA filament leaf drawings, gilded leaves, dried plants, vintage garden books, grow lights on fabric cord | © Aimée Beaubien, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602642971402-CAYQ4O1MRSYGHOPI4D5Q/Beaubien_004_Tangled_Sensations.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Tangled Sensations | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, dried plants, grow lights on fabric cord, hammock chair swings | © Aimée Beaubien, 2018</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643036245-NEC9HZQ460J0H6Q4GCQG/Beaubien_005_Contact.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Contact | dimensions variable | cut-up photographs, paracord, carabiners, blue lights on fabric cord | © Aimée Beaubien, 2019</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643083122-ZLW6FURH9TL5SJI92ZER/Beaubien_006_Hothouse.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Hothouse | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, grow lights on fabric cord, candlestick, wooden table | © Aimée Beaubien, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643131074-UJLX44XXW1RDU4DAYJ6G/Beaubien_007_Cuttings.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Cuttings | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, dried plants, grow light on fabric cord | © Aimée Beaubien, 2017</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643186319-9W6LU5U47K5WOJCT0B3L/image-asset.jpeg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>rooted-looping-scrambling-rambling-tangling-twining-tendrils | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, polymer chains, porcelain chains, PLA filament leaf drawings, gilded leaves, dried plants, vintage garden books, grow lights on fabric cord | © Aimée Beaubien, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643235052-5X5H8QKN1Y7U500OVIMD/Beaubien_011_Hothouse_Cuttings.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Hothouse Cuttings | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, dried plants, grow lights on fabric cord, hammock chair swings | © Aimée Beaubien, 2015</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643296275-CJM630L0BQ1FFU16WT7B/Beaubien_012_Hothouse_Picture-Cyclopedia.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Hothouse Picture-Cyclopedia | dimensions variable | cut-up photographs, paracord, carabiners, miniature clothespins, polymer chains, porcelain chains, PLA filament leaf drawings, vintage garden books, dried plants grow lights on fabric cord | © Aimée Beaubien, 2020</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1602643339711-E3FQBLAW7TZ55U0CP8BM/Beaubien_000_Portrait.jpg</image:loc>
      <image:title>Blog - Creative Quarantine: Artist Aimeé Beaubien</image:title>
      <image:caption>Studio self-portrait | © Aimée Beaubien, 2020</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/10/13/joan-flasch-artists-book-collection</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-14</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/10/13/062-gallery-open-studio-rooted-looping-scrambling-rambling-tangling-twining-tendrils</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-10-14</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/6/16/mocp-behind-the-lens-aime-beaubien</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/6/16/kismet-and-contingency-monaco-gallery-st-louis-mo</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-06-17</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/5/27/art-in-place-a-project-to-connect-inspire-and-bring-hope-while-we-are-disconnected</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-27</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1590552596291-1JCLWYAAEDWLB12O1YO0/image-asset.jpeg</image:loc>
      <image:title>Blog - ART-IN-PLACE:</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1590552327172-XCY933KGUDK3G6PUEIMQ/beaubien+art+in+place</image:loc>
      <image:title>Blog - ART-IN-PLACE:</image:title>
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      <image:title>Blog - ART-IN-PLACE:</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/5/15/it-is-our-great-pleasure-to-present-the-inaugural-sf-camerawork-exhibition-award-to-artist-aime-beaubien-for-her-proposal-matter-in-the-hothouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1589592343286-77UI3W21Z61Z0PQIF7HJ/SF+Camerawork+announcement.png</image:loc>
      <image:title>Blog - It is our great pleasure to present the inaugural SF Camerawork Exhibition Award to artist Aimée Beaubien for her proposal Matter in the Hothouse.</image:title>
      <image:caption>It is our great pleasure to present the inaugural SF Camerawork Exhibition Award to artist Aimée Beaubien for her proposal Matter in the Hothouse. This award recognizes a project proposal featuring exceptional creative photographic work, and will support those efforts with an exhibition grant in the amount of $5,000. Beaubien's proposal was selected to receive the grant from a pool of over 200 applicants. Erika Gentry, Programming Committee Chair, wrote of the proposal, "Beaubien's work stood out for its conceptual strength and innovative presentation, which animates photographs to become a series of moving parts, pushing their capacity to change and to transform. New work funded by this grant will be used to build a photo-based installation utilizing the unique characteristics of the exhibition space at SF Camerawork to map networks of meaning and association between the real and the ideal, memory and the photographic. For Matter in the Hothouse, cut-up photographic forms will interweave, encircle, and hang.” Qualities of the garden run parallel to the nature of photography: both are defined by interactions of the scientific, the accidental and the temporal. Attentive to perceptual shifts between the depicted and touchable, Beaubien manipulates her photographs into becoming a series of moving parts, pushing their capacity to change and to transform. While walking through one of her installations photographic elements slip between recognition and abstraction. Bold leaf shapes and twisting ribbons of photos entwine, cluster and creep. A photographed plant, interlaced vine, woven topography merge into fields of color and pattern and back again expanding the ever more complicated sensations of reading a photograph and experiencing nature. The SF Camerawork Exhibition Award will be a part of SF Camerawork's 2021 programming schedule, and we look forward to hosting you all next year for this exhibition. ABOUT THE ARTIST Aimée Beaubien is an artist living and working in Chicago. Her cut-up photographic collages, photo-based sculptures and installations explore collapses in time, space and place, while engaging the complexities of visual perception. Solo exhibitions include Gallery UNO Projektraum, Berlin, Germany; Virus Art Gallery, Rome, Italy; Johalla Projects, Chicago, IL; Marvelli Gallery, New York, NY; TWIN KITTENS, Atlanta, GA; and Demo Projects, Springfield, IL. Beaubien is an Assistant Professor of Photography at the School of the Art Institute of Chicago, IL.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/5/15/newport-art-museum-is-proud-to-announce-its-selection-of-aime-beaubien-as-its-first-artist-in-residence</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-05-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1589592231583-S3NUMK90SW6Q1PIPMPFE/Newport+announcement.png</image:loc>
      <image:title>Blog - Newport Art Museum is proud to announce its selection of Aimée Beaubien as its first artist-in-residence.</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/1/20/pdn-photo-of-the-day</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-21</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2020/1/20/a-chicago-biennial-is-taking-art-beyond-museum-walls-and-into-peoples-yards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2020-01-21</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/9/27/artist-talk-aime-beaubien-hothouse-picture-cyclopedia</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-09-27</lastmod>
    <image:image>
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      <image:title>Blog - ARTIST TALK: AIMÉE BEAUBIEN HOTHOUSE PICTURE-CYCLOPEDIA</image:title>
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      <image:title>Blog - ARTIST TALK: AIMÉE BEAUBIEN HOTHOUSE PICTURE-CYCLOPEDIA</image:title>
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      <image:title>Blog - ARTIST TALK: AIMÉE BEAUBIEN HOTHOUSE PICTURE-CYCLOPEDIA</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/9/18/pushing-the-boundaries-of-photography-in-the-third-dimension-by-christina-nazfiger</loc>
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    <priority>0.5</priority>
    <lastmod>2019-09-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1568834439333-UCI7FRR3SYWM3SFQSM2C/Beaubien_create_3.jpg</image:loc>
      <image:title>Blog - Pushing the Boundaries of Photography in the Third-Dimension by Christina Nazfiger</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1568834470923-14VOJUXQL435480A0H4R/Beaubien_create_1.jpg</image:loc>
      <image:title>Blog - Pushing the Boundaries of Photography in the Third-Dimension by Christina Nazfiger</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1568834516432-2M70GLURFN2FBXDQKRJ0/Beaubien_create_2.jpg</image:loc>
      <image:title>Blog - Pushing the Boundaries of Photography in the Third-Dimension by Christina Nazfiger</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/7/16/eight-years-aint-bad-collaborations-is-a-joint-effort-between-laney-contemporary-aint-bad-magazine</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-07-16</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/4/10/hold-sway-ellen-hanson-aime-beaubien</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-04-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1554914531652-M4QD6HV74WYCAXHG4K2C/03-26-19_Heaven-Gallery_009.JPG</image:loc>
      <image:title>Blog - Hold Sway: Ellen Hanson + Aimée Beaubien</image:title>
      <image:caption>detail: Contact, 2019, cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/3/15/with-inger-artists-book-made-in-collaboration-with-the-donut-shop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-03-15</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/2/24/p47ugjua15stmbyhhdfd3nvq7dh7hw</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-02-25</lastmod>
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      <image:title>Blog - Botanical Speculations</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1551052623269-5URJMYFN0CYDVGR2IGKV/lubeznik_001.jpg</image:loc>
      <image:title>Blog - Botanical Speculations</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1551052790635-MZRYEX9E0KJWG3CRI6EL/cuttings_book_001.jpg</image:loc>
      <image:title>Blog - Botanical Speculations</image:title>
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      <image:title>Blog - Botanical Speculations</image:title>
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      <image:title>Blog - Botanical Speculations</image:title>
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      <image:title>Blog - Botanical Speculations</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2019/1/6/30-second-documentation-of-some-of-my-installations-from-2015-to-2018</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2019-01-07</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/12/31/curators-choice-issue-no13-top-100</loc>
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    <priority>0.5</priority>
    <lastmod>2018-12-31</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/12/1/with-inger-artists-book-made-with-the-donut-shop</loc>
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    <lastmod>2018-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1543706370032-FJYIKEMK5J4FI42JAGMG/WITH_INGER.png</image:loc>
      <image:title>Blog - With Inger, artists' book made with the Donut Shop</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/12/1/botanical-specultations</loc>
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    <lastmod>2018-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1543706085932-PVAFX33QCRJUN55XTU9B/botanical_speculations.png</image:loc>
      <image:title>Blog - BOTANICAL SPECULTATIONS</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/12/1/some-recent-findings-curated-by-andrew-kensett</loc>
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    <priority>0.5</priority>
    <lastmod>2018-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1543705944634-THR4KQ1V7SP93PTKAD8Q/some_recent_findings.png</image:loc>
      <image:title>Blog - SOME RECENT FINDINGS // Curated by Andrew Kensett</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/12/1/aintbad-issue-no13</loc>
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    <priority>0.5</priority>
    <lastmod>2018-12-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1543705819285-T0ACJ60QKW2NG5HQ9IG9/aintbad.png</image:loc>
      <image:title>Blog - AINT—BAD ISSUE NO.13</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/8/1/meet-aime-beaubien-artist-and-assistant-professor</loc>
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    <priority>0.5</priority>
    <lastmod>2018-08-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533146953587-KNWE9C8M1S9GU7I6YGGW/aimee_beaubien.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147044513-Q35LYT4TY1IMCMVNZZ2L/Beaubien_04.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147111199-214D6TFBVPNW08Y7I2YK/Beaubien_hothouse_cuttings_004.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147142192-FWAV3OWTZIH6L5WAP72H/beaubien_twist_affix.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147185506-PUVJTYN8F1ZCLP2P63O9/GustsInTheHothouse_detail.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147226234-NT6OLRMHOF1KSHTY9NM5/Beaubien_03.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1533147248978-FOUX1V9JPTYCJP3LU7TA/beaubien_aimee_07.jpg</image:loc>
      <image:title>Blog - Meet Aimée Beaubien, Artist and Assistant Professor</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/7/27/we-like-small-things-v2</loc>
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    <priority>0.5</priority>
    <lastmod>2018-07-27</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/7/15/salon-2018-fellowship-awards</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1531697246029-3UW1PPGXKJ72W4JNA06E/Screen+Shot+2018-07-15+at+6.26.42+PM.png</image:loc>
      <image:title>Blog - Salon 2018 Fellowship Awards</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/7/15/spoke-installation-in-the-washington-post</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1531696618587-ZDZEYT2A2WX6AWZMATBO/beaubien_spoke_installation.jpg</image:loc>
      <image:title>Blog - Spoke Installation in The Washington Post</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/5/28/truth-claim</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-07-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1531185978925-R5277TJ12WCW6G1UWO3C/Screen+Shot+2018-07-09+at+8.24.27+PM.png</image:loc>
      <image:title>Blog - CARRIE SECRIST GALLERY - SUMMER GROUP SHOW</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/5/28/in-real-life-curated-by-tom-burtonwood</loc>
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    <priority>0.5</priority>
    <lastmod>2018-05-28</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2018/3/17/in-the-garden-an-interview-with-aime-beaubien-by-kayl-parker</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2018-03-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1521305184922-TZPERH4G8F1414IIZ1O9/Aimee-Beaubien.jpg</image:loc>
      <image:title>Blog - In the Garden: An Interview with Aimée Beaubien BY KAYL PARKER</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/12/20/cuttings-by-aime-beaubien-in-collaboration-with-jennifer-keats-the-donut-shop</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-20</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/12/5/twist-affix-curated-by-claudine-is-freeark-gallery-riverside-il</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-12-05</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/11/22/cuttings-my-new-artist-book</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-11-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511375662994-K2KBRM8OBLZKCYPMMX94/cuttings</image:loc>
      <image:title>Blog - Cuttings, a new artist book</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/10/18/twist-affix-opening-at-the-riverside-arts-centers-freeark-gallery</loc>
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    <priority>0.5</priority>
    <lastmod>2017-10-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1508330688459-V5D6HB95OVNOYCI5D9DO/twist+affix</image:loc>
      <image:title>Blog - Twist Affix opening at the Riverside Arts Center's Freeark Gallery October 29th</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/9/1/tended-aime-beaubien-book-designed-by-emma-cole</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-09-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1504299924033-XE273MJNP52B41N2UNWO/tended</image:loc>
      <image:title>Blog - Tended: Aimée Beaubien, book designed by Emma Cole</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/6/23/grow-light-shadows-gallery-uno-projektraum-berlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1498222465699-9MSIA3ZY6VK8FL7KU2MQ/grow_light_shadows</image:loc>
      <image:title>Blog - Grow Light Shadows - Gallery UNO Projektraum Berlin</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/6/1/20min-interview-about-cuttings-with-lisa-degliantoni-for-the-lisa-d-show</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2017-06-01</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/4/23/cuttings-aime-beaubien-platform-904-sherman-evanston-il-60202-may-22-july-7-2017-opening-reception-saturday-june-3-5-730-pm</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1492976531421-I07RZB84VCG25MMWB9RU/Beaubien_Platform</image:loc>
      <image:title>Blog - Cuttings: Aimée Beaubien --- Platform, 904 Sherman, Evanston, IL 60202 --- May 22-July 7, 2017 --- Opening Reception: Saturday, June 3 5-7:30 pm</image:title>
      <image:caption>Cuttings: Aimée Beaubien May 22-July 7, 2017, Opening Reception: Saturday, June 3 5-7:30 pm Platform, 904 Sherman, Evanston, IL 60202 Gallery Hours:  by appointment; 773.383.9197, platform904.com Platform is pleased to present a solo exhibition featuring the work titled Cuttings. Beaubien’s sculptural, photo based collages explore collapses in time, space, and place, while playfully engaging the complexities of visual perception.  In Cuttings, botanical life is drawn in the illusory space of photographic representation, or drawn with scissors. Bold leaf shapes and twisting ribbons of color entwine, dangle, cluster and creep. Beaubien’s photographs are cut into colorful shapes that interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. Beaubien’s Cuttings are representational of gardens. This makeshift garden is constructed through processes of translation, revision, cutting and reassembling, reflecting the temporal complexity of the garden, and of the photographic encounter. AIMÉE BEAUBIEN is an artist living and working in Chicago.. Solo exhibitions include shows at DEMO Projects, Springfield; Johalla Projects, Chicago; TWIN KITTENS, Atlanta, GA; Gallery Uno, Chicago; Carl Hammer Gallery, Chicago; Marvelli Gallery, NY, BOX 13 Artspace, Houston, TX. Two-person and group exhibitions include Museum of Contemporary Photography, Chicago, IL; Ukranian Institute of Modern Art, Chicago; The Pitch Project, Milwaukee, WI; Evanston Art Center, Evanston, IL; Temple Gallery, Philadelphia, PA; galerie obqo, Berlin, Germany; UCRC Museum of Photography, Riverside, CA; Art Exhibition Link, Bremen, Germany, and Castello di S. Severa, Italy; Carl Hammer Gallery and Rhona Hoffman Gallery, Chicago. Her work has been reviewed in publications such as Art in America, Art on Paper, and Art Papers. Beaubien is Assistant Professor of Photography at the School of the Art Institute of Chicago. Platform, Evanston, IL: Platform is a foundation for the unconstrained creative vision of Justine Bianco and Maggie Meiners.  It is a shared studio with a small project space to exhibit BIG ideas. Platform is not a conventional gallery, but rather, an exhibition space in which artists have creative license to get adventurous. Platform encourages collectors, enthusiasts and all others to assemble, see art, talk about art, and share their thoughts generously.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/4/5/floorr-magazine-interview</loc>
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    <priority>0.5</priority>
    <lastmod>2017-04-05</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1491398017959-5XG5H90PIHT1E37AAU7S/beaubien_floorr_magazine</image:loc>
      <image:title>Blog - FLOORR MAGAZINE - Interview</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/3/24/hothouse-flipside-at-submissive-exhibitions-the-mission</loc>
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    <priority>0.5</priority>
    <lastmod>2017-03-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1490400846037-GTZYMC5KKGX4VDW5PAFQ/Hothouse_flipside</image:loc>
      <image:title>Blog - Hothouse flipside at Submissive Exhibitions, The Mission</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2017/1/22/gusts-in-the-hothouse-on-view-until-feb-15th-2017</loc>
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    <priority>0.5</priority>
    <lastmod>2017-01-23</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1485135259720-2PXSFTPHW1TXW3FORPUE/gusts_in_the_hothouse</image:loc>
      <image:title>Blog - Gusts in the Hothouse on view until Feb. 15th, 2017</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/12/30/from-a-visit-with-insidewithins-kate-sierzputowski-and-ashleigh-dye</loc>
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    <priority>0.5</priority>
    <lastmod>2016-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1483129377457-M1AGYH4C1NBNJ30RBTQ4/image-asset.gif</image:loc>
      <image:title>Blog - From a visit with INSIDE\WITHIN's Kate Sierzputowski and Ashleigh Dye</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/12/30/insidewithin</loc>
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    <priority>0.5</priority>
    <lastmod>2016-12-30</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1483129279569-7RCC838I06Z1NGLA6WGY/INSIDE%5CWITHIN</image:loc>
      <image:title>Blog - INSIDE\WITHIN</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/12/18/9bfxjmxx9i5yynpi2r7gpapisyeilk</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1482117564096-896PNBWEWPL7GQZ7VM49/studio_visit_takeaway</image:loc>
      <image:title>Blog - Studio Visit Takeaway</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/12/18/arndis-ortharssons-beautiful-printed-piece-for-twist-flip-tremble-trace</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-12-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1482116335771-VJ1CYI294J74F6Y26Q3G/arndis_twist-flip-tremble-trace</image:loc>
      <image:title>Blog - Arndis Ortharsson's beautiful printed piece for twist-flip-tremble-trace, 2015</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/11/12/gusts-in-the-hothouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-11-12</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/10/23/gusts-in-the-hothouse</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2016-10-23</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/10/22/where-art-meets-fashion</loc>
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    <priority>0.5</priority>
    <lastmod>2016-10-22</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1477154600105-T80RD7VHAKB9UUUHDDPT/thecollectionwhereartmeetsfashion</image:loc>
      <image:title>Blog - Where Art Meets Fashion</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/6/18/studio-install-of-collecting-within</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-19</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1466295845946-5GCRBF474O529DVQLJ3N/beaubien_summer_studio_2016</image:loc>
      <image:title>Blog - studio install of Collecting Within</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/6/17/summer-studio</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1466185000272-YMNYQK99ZI7T080R6RM7/beaubien_summer_studio_2016</image:loc>
      <image:title>Blog - summer studio</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/6/1/5ad3529c74blgmm0ol91kv5duketsz</loc>
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    <priority>0.5</priority>
    <lastmod>2016-06-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1464816437322-928AT6X2VTVHY2U2BB2A/image-asset.gif</image:loc>
      <image:title>Blog - in the studio</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/5/17/upcoming-collaborative-installation</loc>
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    <priority>0.5</priority>
    <lastmod>2016-05-17</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1463527989607-I4BPWHN9Z09SKDZJ9CV4/theWhistlerInstallation</image:loc>
      <image:title>Blog - Upcoming collaborative installation at The Whistler</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2016/5/8/studio-view</loc>
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    <priority>0.5</priority>
    <lastmod>2016-05-08</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1462744756571-A2W4L8K5H5BSYNQCRGEV/beaubien_studio_may_2016</image:loc>
      <image:title>Blog - studio view</image:title>
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      <image:title>Blog - Artist and Correspondent Hyounsang Yoo asked great questions about art &amp;amp; teaching for fARTS Magazine -- What is Creative Fodder?</image:title>
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    <lastmod>2015-04-01</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1427902306468-8Z5DMWQKTZVDZWEG1VN3/Screen+Shot+2015-04-01+at+10.22.23+AM.png</image:loc>
      <image:title>Blog - Just days away... thank you for the shout-out Filter!</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1427902316890-N6HC88TRPY4G7I762JR0/Screen+Shot+2015-04-01+at+10.22.45+AM.png</image:loc>
      <image:title>Blog - Just days away... thank you for the shout-out Filter!</image:title>
      <image:caption />
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2015/3/3/twistfliptrembletrace</loc>
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    <priority>0.5</priority>
    <lastmod>2015-04-01</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1425407702341-F3889CD587F2OCRQZ040/aimeebeaubien</image:loc>
      <image:title>Blog - Twist-flip-tremble-trace</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2015/1/9/studio-view</loc>
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    <priority>0.5</priority>
    <lastmod>2015-01-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1420846440612-40WS9X0CDXND3LLEJS51/beaubien_studio_january.jpg</image:loc>
      <image:title>Blog - studio view</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/11/25/closing-nov-30th-stella-the-nature-of-a-collective</loc>
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    <priority>0.5</priority>
    <lastmod>2014-11-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1416940118469-XBJJPV24QX3XSEBT7VPF/aimee_beaubien_nature_of_a_collective</image:loc>
      <image:title>Blog - Closing Nov. 30th - Stella: The Nature of a Collective</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/11/4/opening-at-comfort-station</loc>
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    <priority>0.5</priority>
    <lastmod>2014-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1415132690030-R5G0771ET2V51HE8UP4A/graft.jpg</image:loc>
      <image:title>Blog - Opening at Comfort Station</image:title>
    </image:image>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/10/30/elin-spring-reviews-the-nature-of-a-collective</loc>
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    <priority>0.5</priority>
    <lastmod>2014-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1414776944561-YTVLFMK5FEQ33FBNP1KM/TheNatureofaCollective.jpg</image:loc>
      <image:title>Blog - Elin Spring reviews The Nature of a Collective</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1415133026288-BKNK7NTPS2F6XFQ9MZDW/aboutstella.jpg</image:loc>
      <image:title>Blog - Elin Spring reviews The Nature of a Collective</image:title>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/10/21/paperfile-pop-up-aime-beaubien-11-oktober-2014-15-november-2014</loc>
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    <priority>0.5</priority>
    <lastmod>2014-10-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1413907977738-HT1KNI0W4SCOAEWERHQ7/1912219_748862618512789_5771145071576633243_n.jpg</image:loc>
      <image:title>Blog - paperfile pop up | Aimée Beaubien 11. Oktober 2014 — 15. November 2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1413908004161-G3KKQ34M8S144982MP6P/10351586_748861875179530_973337606774847921_n.jpg</image:loc>
      <image:title>Blog - paperfile pop up | Aimée Beaubien 11. Oktober 2014 — 15. November 2014</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1413908026947-KFRJSBR8S8XQ9YY71C19/10488133_748862548512796_8081806907558931161_n.jpg</image:loc>
      <image:title>Blog - paperfile pop up | Aimée Beaubien 11. Oktober 2014 — 15. November 2014</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1413908045890-D1SIU55BTZCFGLQNW9MB/1654359_748862471846137_2028552843777754010_n.jpg</image:loc>
      <image:title>Blog - paperfile pop up | Aimée Beaubien 11. Oktober 2014 — 15. November 2014</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/10/21/stella-the-nature-of-a-collective</loc>
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    <priority>0.5</priority>
    <lastmod>2014-10-21</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/10/7/my-work-can-be-seen-as-part-of-paperfile-at-galerie-oqbo-in-berlin</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1412722642097-1J94Z42E518DY1HRJP69/beaubien_oqbo</image:loc>
      <image:title>Blog - my work in PAPERFILE at Galerie oqbo in Berlin</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/9/25/making-photographs-of-my-sculptures-built-from-my-photographs</loc>
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    <priority>0.5</priority>
    <lastmod>2014-09-25</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1411667086809-TANQGQBKE5SEPXAWV6PN/image-asset.jpeg</image:loc>
      <image:title>Blog - Making photographs of my sculptures built from my photographs</image:title>
      <image:caption>Each cutup piece interweaves visual impressions together, whether a captured candid moment, a street image, or documentation of a pattern or material. Collisions occur between what is made present in the photographs and what is made absent through acts of incising and extracting.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/9/22/my-work-in-the-sevens-on-saint-lucy</loc>
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    <priority>0.5</priority>
    <lastmod>2014-11-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1411432211631-YBL3SWZYTZM5G2O2Z9YV/aimeebeaubien_saint-lucy</image:loc>
      <image:title>Blog - My work in The Sevens on Saint Lucy</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/9/16/the-faraway-nearby-by-rebecca-solnit</loc>
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    <priority>0.5</priority>
    <lastmod>2014-09-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1410884393942-7X7J45SHX7EFAYDUNSMN/photo-4a.jpg</image:loc>
      <image:title>Blog - The Faraway Nearby, by Rebecca Solnit</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1410884408612-CI4Q3KZAK99VBPNCWE26/photo-3.JPG</image:loc>
      <image:title>Blog - The Faraway Nearby, by Rebecca Solnit</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1410884446128-HOERSJTFNDEL0O141PYW/photo-2.JPG</image:loc>
      <image:title>Blog - The Faraway Nearby, by Rebecca Solnit</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/9/10/a-new-piece-for-graft-group-show-with-noelle-allen-curated-by-mk-meador-at-comfort-station-in-november</loc>
    <changefreq>monthly</changefreq>
    <priority>0.5</priority>
    <lastmod>2014-09-10</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1410356719628-68W0YDVQ1WL9Z4DZAY98/image-asset.jpeg</image:loc>
      <image:title>Blog - A new piece for GRAFT</image:title>
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    <loc>http://www.aimeebeaubien.com/blog/2014/8/9/in-studio</loc>
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    <priority>0.5</priority>
    <lastmod>2014-08-09</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1407617249372-27JJPZEC51P740DGT6II/image-asset.gif</image:loc>
      <image:title>Blog - In Studio</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/7/15/franz-west-work-1972-2008</loc>
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    <priority>0.5</priority>
    <lastmod>2014-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480419966-44QZ2YIVC4YGSOOXTTVZ/FW_work_01.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480409904-MKXVSAH16KI7PJOYAN6H/FW_work_02.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480422685-2O21HRZG61M8J1X1WK2Z/FW_work_03.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480434045-XGU7XJC8MON746QSGSQ9/FW_work_04.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480434650-6P1EXZ2KXR7BPFRESPGE/FW_work_05.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480451846-0YG31GDAIFDYB2Z0JI3N/FW_work_06.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
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      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405480491191-TT6ELU3SNDA7R3DR4C1I/FW_work_11.jpg</image:loc>
      <image:title>Blog - Franz West: Work 1972 - 2008</image:title>
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    <loc>http://www.aimeebeaubien.com/blog/2014/7/15/collier-schorr-jens-f</loc>
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    <priority>0.5</priority>
    <lastmod>2014-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405479408454-E4I8JWNQ6AC6JLQ3OL9X/CS_jens_01.jpg</image:loc>
      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405479416021-ISE8GN8WPC0V4T3KJ9ZP/CS_jens_03.jpg</image:loc>
      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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    <image:image>
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      <image:title>Blog - Collier Schorr: Jens F.</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/blog/2014/7/15/louise-bourgeois-the-fabric-works</loc>
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    <priority>0.5</priority>
    <lastmod>2014-07-16</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405478171346-2F12125D8PH28WXPDLF3/LB_fabric_01.jpg</image:loc>
      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
    </image:image>
    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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    <image:image>
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      <image:title>Blog - Louise Bourgeois: The Fabric Works</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/photography</loc>
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    <lastmod>2025-05-12</lastmod>
    <image:image>
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      <image:title>Photography - 1/23</image:title>
      <image:caption>Cras mattis consectetur purus sit amet fermentum. Praesent commodo cursus magna, vel scelerisque nisl consectetur et. Donec ullamcorper nulla non metus auctor fringilla. Lorem ipsum dolor sit amet, consectetur adipiscing elit.</image:caption>
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    <image:image>
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      <image:title>Photography</image:title>
      <image:caption>Aimée Beaubien is an artist living and working in Chicago.  Her sculptural, photo based collages explore collapses in time, space, and place, while playfully engaging the complexities of visual perception.  Solo exhibitions include shows at TWIN KITTENS, Atlanta, GA; The Cliff Dwellers and Gallery Uno, Chicago; Carl Hammer Gallery, Chicago; Marvelli Gallery, NY.  Group exhibitions include galerie obqo, Berlin, Germany; UCRC Museum of Photography, Riverside, CA; Art Exhibition Link, Bremen, Germany, and Castello di S. Severa, Italy; Carl Hammer Gallery and Rhona Hoffman Gallery, Chicago.  Her work has been reviewed in publications such as Art in America, Art on Paper, and Art Papers.  Beaubien is Assistant Professor of Photography at the School of the Art Institute of Chicago.</image:caption>
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  <url>
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    <lastmod>2025-10-04</lastmod>
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      <image:title>Main</image:title>
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  <url>
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    <lastmod>2014-06-28</lastmod>
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  <url>
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    <lastmod>2014-07-07</lastmod>
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      <image:title>gallery 1</image:title>
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    <image:image>
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      <image:title>gallery 1</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1404749056482-7N93ZQ4UD577R5HQUPKU/aperture.jpg</image:loc>
      <image:title>gallery 1</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1404749064070-PTZ2ESYELK44YQEZD2IH/mooningass.jpg</image:loc>
      <image:title>gallery 1</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1404749134824-S9EZ3ERCD2LOZIHV83P3/aperture2.jpg</image:loc>
      <image:title>gallery 1</image:title>
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    <image:image>
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      <image:title>gallery 1</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/reel</loc>
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    <lastmod>2014-07-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372166184-79NI185G94P2EV70X4BD/Beaubien_6_a.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 4.20, 2002 unique collage with gelatin silver prints and oil paint 10.5 x 10 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372166184-79NI185G94P2EV70X4BD/Beaubien_6_a.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 4.20, 2002 unique collage with gelatin silver prints and oil paint 10.5 x 10 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372164445-MF5EUTZ8GJSG0ZTVP4KI/Beaubien_6_b.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 11, 2002 unique collage with gelatin silver prints and oil paint 14.25 x 13.25 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372190158-QK4215QT7N4O4AUSMG73/Beaubien_6_c.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 10.2, 2002 unique collage with gelatin silver prints and oil paint 17 x 11 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372184805-PCF4DXYI9TIVGKRP3OOH/Beaubien_6_d.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 4.12, 2002 unique collage with gelatin silver prints and oil paint 22 x 12.5 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372195077-F9MNA1V02JTSMC5MGTTI/Beaubien_6_e.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 4.18, 2002 unique collage with gelatin silver prints and oil paint 9.75 x 10.5 inches</image:caption>
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    <image:image>
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      <image:title>Reel</image:title>
      <image:caption>Reel no. 7.2, 2002 unique collage with gelatin silver prints and oil paint 9 x 9 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372205299-VN5P1MUBMJKFEJLLW67W/Beaubien_6_g.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 5.1, 2002 unique collage with gelatin silver prints and oil paint 9.5 x 10.5 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372220925-UB8DNWR1M5MLP5TP5VCY/Beaubien_6_h.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 4.17, 2002 unique collage with gelatin silver prints and oil paint 11 x 10 inches</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372231722-AOQTXDJMNH64S27XJJ63/Beaubien_6_j.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 6.3, 2002 unique collage with gelatin silver prints and oil paint 18.5 x 10 inches</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1405372233440-YFH9HEUYQSZ6DFNVTT14/Beaubien_6_k.jpg</image:loc>
      <image:title>Reel</image:title>
      <image:caption>Reel no. 7.3, 2002 unique collage with gelatin silver prints and oil paint 18 x 18 inches</image:caption>
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    <lastmod>2014-07-07</lastmod>
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    <lastmod>2014-07-14</lastmod>
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      <image:title>Install Views</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/test-about</loc>
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    <lastmod>2014-07-07</lastmod>
    <image:image>
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      <image:title>About</image:title>
      <image:caption>Aimée Beaubien is an artist living and working in Chicago.  Her sculptural, photo based collages explore collapses in time, space, and place, while playfully engaging the complexities of visual perception.  Solo exhibitions include shows at TWIN KITTENS, Atlanta, GA; The Cliff Dwellers and Gallery Uno, Chicago; Carl Hammer Gallery, Chicago; Marvelli Gallery, NY.  Group exhibitions include galerie obqo, Berlin, Germany; UCRC Museum of Photography, Riverside, CA; Art Exhibition Link, Bremen, Germany, and Castello di S. Severa, Italy; Carl Hammer Gallery and Rhona Hoffman Gallery, Chicago.  Her work has been reviewed in publications such as Art in America, Art on Paper, and Art Papers.  Beaubien is Assistant Professor of Photography at the School of the Art Institute of Chicago.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1404767964519-K285C50S471EW3IZ8Z8U/alloutofplaceLargercropped.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Aimée Beaubien is an artist living and working in Chicago.  Her sculptural, photo based collages explore collapses in time, space, and place, while playfully engaging the complexities of visual perception.  Solo exhibitions include shows at TWIN KITTENS, Atlanta, GA; The Cliff Dwellers and Gallery Uno, Chicago; Carl Hammer Gallery, Chicago; Marvelli Gallery, NY.  Group exhibitions include galerie obqo, Berlin, Germany; UCRC Museum of Photography, Riverside, CA; Art Exhibition Link, Bremen, Germany, and Castello di S. Severa, Italy; Carl Hammer Gallery and Rhona Hoffman Gallery, Chicago.  Her work has been reviewed in publications such as Art in America, Art on Paper, and Art Papers.  Beaubien is Assistant Professor of Photography at the School of the Art Institute of Chicago.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1404768909589-U1B2MP6WZTDV548XEAXN/bettera.jpg</image:loc>
      <image:title>About</image:title>
      <image:caption>Aimée Beaubien aimeebeaubien@gmail.com   SOLO EXHIBITIONS 2014             Always Wherever, TWIN KITTENS, Atlanta, GA 2012             Aimée Beaubien: New Work, The Cliff Dwellers, Chicago, IL 2010             Found and Found, Gallery Uno, Chicago, IL 2007             In the Space Between, Carl Hammer Gallery, Chicago, IL 2004             Entanglement: Postures of Delirium, Carl Hammer Gallery, Chicago, IL 2002             Aimée Beaubien, Marvelli Gallery, New York, NY 2001             Trans-motion, Carl Hammer Gallery, Chicago, IL 1998              Aimée Beaubien: New Work, Carl Hammer Gallery, Chicago, IL 1997              Aimée Beaubien, RX Gallery, Chicago, IL     SELECTED GROUP EXHIBITIONS 2013             Beaubien &amp; Erschen, this is big, 3433 Gallery, Chicago, IL                     Paperfile on Tour: Galerie obqo, kjubh galerie, Köln, Germany 2012             Industry of the Ordinary: Portrait Project, Chicago Cultural Center, Chicago, IL (catalogue)                      Paperfile on Tour: Galerie obqo, Kunstraum Tosterglope, Preview Berlin, Germany                      Please Return, Northern Trust Art Gallery, Chicago, IL 2011             Twisted Selves, UCRC Museum of Photography, Riverside, CA                     Paperfile on Tour: Galerie obqo, Preview Berlin, Germany 2010             Twice, Art Exhibition Link, Bremen, Germany                      Paperfile, Galerie oqbo, Berlin, Germany 2009             Summer Show, Art Exhibition Link, Castello di S. Severa, Italy 2008             Ahh…Decadence!, Sullivan Galleries, Chicago, IL (catalogue) 2007             Fresh Takes, Carl Hammer Gallery, Chicago, IL 2006             All About Women, Carl Hammer Gallery, Chicago, IL 2005             Inaugural Show, BMOMA, Chicago, IL 2004             Body, Staton Greenberg Gallery, Santa Barbara, CA                       Corporal, O’Connor Gallery, River Forest, IL                       The Reflected/Refracted Self, Carl Hammer Gallery, Chicago, IL 2002             Pasted On, Carl Hammer Gallery, Chicago, IL 2001             …but smaller than expected, Carl Hammer Gallery, Chicago, IL 2000             Carl Hammer 2000, Carl Hammer Gallery, Chicago, IL                       Agitator: Contemporary Art of Propaganda, Glass Curtain Gallery, Chicago, IL 1999              Portfolio 1999, Carl Hammer Gallery, Chicago, IL 1998              Body Works, Temple Gallery, Philadelphia, PA 1997               No Small Feat, Rhona Hoffman Gallery, Chicago, IL                       Out of the Shadow of Ivan Albright, Illinois Art Gallery, Chicago, IL                       Small Wonders, Carl Hammer Gallery, Chicago, IL                       Fresh Faces, Carl Hammer Gallery, Chicago, IL 1996              Openings, Curcio / Spector Gallery, New York, NY                      Beaubien, Booth, Carmichael, The Lineage Gallery, Chicago, IL 1995              Person / Personae, Tarazona Foto 1995, Galerie Spectrum, Zaragoza, Spain                      The Cultural Body, Coburn Gallery, Colorado Springs, CO                      Venus Envy, Artemesia Gallery, Chicago, IL 1994             Camera Obscura / Obscura Camera, Betty Rymer Gallery, Chicago, IL                      No More Nice Girls, ABC No Rio, New York, NY                      Beaubien and Zappia, Hook Torture Gallery, Chicago, IL 1993              Profiles '93, Randolph Street Gallery, Chicago, IL                      Visible Language, New Works Gallery, Chicago, IL                      Alternatives '93, Ohio University, Athens, OH                      Woman and Madness, Congress Street Gallery, Tucson, AZ                      Body Politic, Survival Graphics, Madison, WI                      Piss On Passivity, At the Gallery, Chicago, IL                      Off Our Backs, Gallery X, Phoenix, AZ                      </image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/sculptures</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400009153-MPWS0HHH5OE3NJAYUYTC/beaubien_01.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Chitter-burst-tangle-swell, 2015 cut-up inkjet prints, wooden dowels, ceramic bowl, glass bottles, ceramic jugs, needle point foot stool, wooden table, and miniature clothespins dimensions variable Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400009153-MPWS0HHH5OE3NJAYUYTC/beaubien_01.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Chitter-burst-tangle-swell, 2015 cut-up inkjet prints, wooden dowels, ceramic bowl, glass bottles, ceramic jugs, needle point foot stool, wooden table, and miniature clothespins dimensions variable Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400015009-RJFU7YWFBG1187H9FMI2/beaubien_02.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>detail, Chitter-burst-tangle-swell, 2015 Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400012636-GFFV76JAWXE9CJPERO05/beaubien_03.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Left to right: Drift-stitch-channel, 2014 cut-up inkjet prints, c-prints, metal bowls, wooden dowels, and ceramic vases 47 x 15 x 10 inches Flip-shiver-strain, 2014 cut-up inkjet prints, colander, wooden dowels, book, wire, and wooden table 73 x 25 x 25 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400015582-ZIG15397BO6UB5CMHLIT/beaubien_04.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Echo-mesh-swing-skep, 2015 cut-up inkjet prints, wood and marble table, wood table, c-print, glass bottles, wooden dowels, miniature clothespins 86 x 25 x 25 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400018892-RZA0CNJWZ1VAESBTI1US/beaubien_05.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Zig-zag-tongues-tides, 2014 cut-up inkjet prints, wooden dowels, ceramic jugs, museum putty, and mirrored side table 63 x 18.5 x 18.5 inches on the wall: Around getting through, 2013 cut-up inkjet prints 39 x 29 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400019187-QGXKTJ8RZ3RORMNVMWY5/beaubien_06.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>detail, Frond-twist-knit-shift, 2014 Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400024292-CJHQ2N0EKXUVNAORQ0ZL/beaubien_07.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>from left to right: Feverish follies, 2013 cut-up inkjet prints, 26 x 26 inches Beebalm-sunburst-ballet, 2014 cut-up inkjet prints, Polaroid, c-print, red metal table, wooden dowels, miniature clothespins, and glass bottles, 76 x 38 x 8 inches Frond-twist-knit-shift, 2014 cut-up inkjet prints, ceramic mug, glass bottle and metal enamel stool, 58 x 9 x 6 inches Fancy manta, 2013 cut-up inkjet prints, 46 x 28 inches Brink-bow-pucker-gap, 2014 cut-up inkjet prints, wooden dowels, wooden table, ceramic jugs, and dried lemons, 46.5 x 24 x 17 inches Echo-mesh-swing-skep, 2015 cut-up inkjet prints, wood and marble table, wood table, c-print, glass bottles, wooden dowels, and miniature clothespins, 86 x 25 x 25 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400024537-F1ADZQOSLSEC55Y5R6VW/beaubien_08.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Beebalm-sunburst-ballet, 2014 cut-up inkjet prints, Polaroid, c-print, wooden dowels, miniature clothespins, and glass bottles 48 x 18 x 6 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400033163-9FRVYNRGLSLDNTNBG39O/beaubien_09.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Breezy-outer-edge-falls, 2014 cut-up inkjet prints and wooden dowels 48 x 10 x 13 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400028010-JK9ULN322542GJA3NV18/beaubien_10.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Ravel-swivel-patter-sway, 2015 cut-up pigment prints, wooden dowels, wooden table, miniature clothespins, and glass bottles 75 x 36 x 36 inches   leaning against wall: Breezy-outer-edge-falls, 2014 cut-up pigment prints and wooden dowels 48 x 10 x 13 inches  Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400034578-IHZCAXOP9ALYGI9WQJ8U/beaubien_11.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>detail, Ravel-swivel-patter-sway, 2015  Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400037899-5UTYXN2IJ0DI4WORTL9K/beaubien_12.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Interlacing-rapid-mouth, 2014 cut-up pigment prints, wooden dowels, plastic netting, wooden ironing board, and glass bottle 72 x 32 x 11 inches   on the wall: Woven patter, 2013 cut-up pigment prints 47 x 37 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400038006-4JOVEOF217H7ZI2SDAE0/beaubien_13.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Sheer-overlook-charmer, 2014 cut-up pigment prints, c-print, wooden dowel, miniature clothespins, and glass bottle 27 x 14 x 9 inches  Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400042254-GS0RG4M05NJJZ2GOSV1U/beaubien_14.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Sling-tether-wag-rhyme, 2014 cut-up pigment prints, wooden dowels, miniature clothespins, mirrored side table and glass bottles 49 x 18 x 16 inches   on the wall:  Overlapping progression, 2013 cut-up pigment prints 21 x 17.5 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1434400042261-WYA10ZYEY9JC5F6P3TJS/beaubien_15.jpg</image:loc>
      <image:title>Twist-flip-tremble-trace</image:title>
      <image:caption>Fret-foil-dangle-glow, 2014 cut-up pigment prints, c-prints, wooden dowels, plastic netting and ceramic jug 42 x 18 x 17 inches Twist-flip-tremble-trace, Johalla Projects, Chicago, IL</image:caption>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/cutting-edges</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-18</lastmod>
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      <image:title>Cutting Edges</image:title>
      <image:caption>Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:title>Cutting Edges</image:title>
      <image:caption>Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:title>Cutting Edges</image:title>
      <image:caption>Rejoining Roger Brown - Curtain wall going up, 2016 cut-up inkjet prints, c-prints, miniature clothes pins, wooden dowels, wooden quilt rack 55 x 48 x 27 inches Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:title>Cutting Edges</image:title>
      <image:caption>sculpture on right: Rejoining Roger Brown - What's happening now, 2016 cut-up inkjet prints, c-prints, miniature clothes pins, candlestick, wooden table 59 x 22 x 20 inches Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1457833652922-QVL4A7FO1U7GNMNR6FK6/beaubien_pitch03.jpg</image:loc>
      <image:title>Cutting Edges</image:title>
      <image:caption>Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1457833653413-AHB5YVKNOA4UMDYN59DO/beaubien_pitch04.jpg</image:loc>
      <image:title>Cutting Edges</image:title>
      <image:caption>Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable sculpture in middle: Rejoining Roger Brown - What's happening now, 2015 cut-up inkjet prints, c-prints, miniature clothes pins, candlestick, wooden table 59 x 22 x 20 inches Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1457833803024-1PGEDWJWWL86HINBNVZ6/beaubien_pitch_001.jpg</image:loc>
      <image:title>Cutting Edges</image:title>
      <image:caption>Cutting Edges: Beaubien &amp; Liang The Pitch Project, Milwaukee, WI</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1457833653964-5ZGSZ3CLY6AY6TVCSBH3/beaubien_pitch05.jpg</image:loc>
      <image:title>Cutting Edges</image:title>
      <image:caption>sculpture in foreground: Rejoining Roger Brown - What's happening now, 2016 cut-up inkjet prints, c-prints, miniature clothes pins, candlestick, wooden table 59 x 22 x 20 inches Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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      <image:title>Cutting Edges</image:title>
      <image:caption>Hothouse, 2016 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Cutting Edges: Beaubien &amp; Liang, The Pitch Project, Milwaukee, WI</image:caption>
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    <loc>http://www.aimeebeaubien.com/collecting-within</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, whiskey jugs, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, whiskey jugs, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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      <image:title>Collecting Within</image:title>
      <image:caption>Collecting Within, 2016 cut-up inkjet prints, paracord, mason line, wooden dowels, miniature clothespins, party lights dimensions variable MoCP at 40, Museum of Contemporary Photography, Chicago, IL</image:caption>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/hothouse</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
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    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hothouse</image:title>
      <image:caption>Hothouse, 2015 cut-up inkjet prints, paracord, mason line, miniature, clothespins, grow lights dimensions variable Hothouse, Window box, Box13, Houston, TX</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/service-with-a-smile</loc>
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    <priority>0.75</priority>
    <lastmod>2019-01-05</lastmod>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1459973044122-WXJQEMUVTGNP1A8JRKP7/beaubien_vessels_007.jpg</image:loc>
      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1459972466504-3NG1TWFT4ZUSV51Q307L/beaubien_vessels_011.jpg</image:loc>
      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1459973301055-30UXLLSG89088626FYQO/beaubien_vessels_006.jpg</image:loc>
      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1459972350618-V2UPUO3Q2RMNRGLGTU7C/beaubien_vessels_012.jpg</image:loc>
      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
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      <image:title>Service with a smile</image:title>
      <image:caption>Rejoining Roger Brown: Virtual Still Life: Service with a Smile, 2016 cut-up inkjet prints, paracord, cable rings dimensions variable</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1460105324904-XXO00H15VBGMMDB1ORDQ/UniversityClub_Beaubien.jpg</image:loc>
      <image:title>Service with a smile</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/in-the-studio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2016-10-22</lastmod>
    <image:image>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1464464206987-XKGV7CVKUJKCW8DFTPGM/a_beaubien_studio_install.jpg</image:loc>
      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
      <image:caption />
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    <image:image>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1464463751237-65H5VQ8DAXSBG00KG4BE/a_beaubien_studio_install_006.jpg</image:loc>
      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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    <image:image>
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      <image:title>IN THE STUDIO - SUMMER 2016</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/a-walk-through-the-studio</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-18</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1465571021131-HWGAAH5DJDR1ACW0TW6H/image-asset.jpeg</image:loc>
      <image:title>A WALK THROUGH THE STUDIO - summer 2016 studio views</image:title>
      <image:caption />
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1465571021131-HWGAAH5DJDR1ACW0TW6H/image-asset.jpeg</image:loc>
      <image:title>A WALK THROUGH THE STUDIO - summer 2016 studio views</image:title>
      <image:caption />
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1465572849537-MIXL25WZYTADM4Q9B6KK/preview+shot.jpg</image:loc>
      <image:title>A WALK THROUGH THE STUDIO</image:title>
      <image:caption />
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    <image:image>
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      <image:title>A WALK THROUGH THE STUDIO</image:title>
      <image:caption />
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    <image:image>
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      <image:title>A WALK THROUGH THE STUDIO - Studio Walkthrough - Summer 2016</image:title>
      <image:caption>This studio experimentation explores the dynamic and tangled attachments that form for the things we collect. Throughout this installation I play with the perception of weight: the weight of things, the weight of images, the weight of representation and the emotional ties they collect. Materials: cut and woven photographs, paracord, mason line, wooden dowels, furniture including my grandmother's china cabinet, cable rings, miniature clothespins, whiskey jugs, party lights</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/gusts-in-the-hothouse</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-05</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1480088774107-FV44TKAN92IDG4MLPB2L/beaubien_gusts_01.jpg</image:loc>
      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
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    <image:image>
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      <image:title>Gusts in the Hothouse</image:title>
      <image:caption>Gusts in the Hothouse, 2016 cut-up inkjet prints, paracord, miniature clothespins, grow lights, oscillating fan 5 x 5 x 7 feet Gusts in the Hothouse, The Collection: Where Art Meets Fashion, Rosemont, IL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/cuttings</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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    <image:image>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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      <image:title>Cuttings</image:title>
      <image:caption>Cuttings, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord, with dried lemons, limes, and plants dimensions variable Cuttings, Platform Gallery, Evanston, IL</image:caption>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/growing-light-shadows</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-02-18</lastmod>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
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      <image:title>Growing Light Shadows</image:title>
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    <image:image>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
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      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1501110685895-KVX013X6LUQZDZRS2TMR/beaubien_berlin05.jpg</image:loc>
      <image:title>Growing Light Shadows</image:title>
      <image:caption>Growing Light Shadows, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, grow lights on fabric cord dimensions variable Growing Light Shadows, Gallery UNO, Projektraum Berlin, Berlin, Germany</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/twist-affix</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511393325205-9OXUUTJ8AQ2WHX4LAIF6/twist_affix_2jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511393325205-9OXUUTJ8AQ2WHX4LAIF6/twist_affix_2jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511393346178-KIPF5OSDIDYYC4JXGT89/twist_affix_5.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1512429105093-THXLX41DNCBPYQF1ZLF4/twist_affix_shadows_01.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511393338459-R5BR81NE2F706OCM47CZ/twist_affix_4.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511612449377-IXBPUX0PO0NYULQ2MLAA/_DSC3936.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, paracord, and carabiners dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1511393366993-BRJBKZTHMLFFL9R44J1V/twist_affix_8.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, paracord, and carabiners dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1512433481519-J4MV1OR7WN0D2TA2DR6E/twist_affix_002.jpg</image:loc>
      <image:title>Twist Affix</image:title>
      <image:caption>Twist Affix, 2017 cut-up inkjet prints, vintage c-prints, paracord, carabiners, miniature clothespins, oscillating fan, grow lights on fabric cord with dried gomphrena, eucalyptus, lemons, limes, and fallen acorns dimensions variable Twist Affix, RAC Freeark Gallery, Riverside, IL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/cuttings-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-01-06</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514221843650-962KZLPBD9UZFGQL7IRN/image-asset.jpeg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514221843650-962KZLPBD9UZFGQL7IRN/image-asset.jpeg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1513799616871-3D9WWJ5MCC7AVJZIZ0CC/image-asset.jpeg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT) - CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514221940601-Z92LI87R3EXSWTFMA1F8/Cuttings0275.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://static1.squarespace.com/static/53af0a35e4b0e2bdbc9e7be3/5a3abf7724a694680797e98d/5a3abfc0047d59c2dc6536a8/1513799584005/</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption />
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514221973605-RIHM825TDRJ4S4RIVS7K/Cuttings0285.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514221995614-S3BADK3MDW4WMV3HS5ZT/Cuttings0287.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222013292-I8PBLEQUBI175LEY06F9/Cuttings0291.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222050960-6ATWCK22FFJUBAE9KWZP/Cuttings0314.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222112013-BFBRQ5ZZZ5I8HGT0Y5HY/Cuttings0330.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222137091-O8CFW02MYBA2W0L4Q018/Cuttings0337.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222166334-ROHXVXBQYN7BPEWDN3H3/Cuttings0342.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222182889-2UOUTJG3X894W92JX6T5/Cuttings0344.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1514222229423-N1CRX3H4SK5HQKESJ1U7/Cuttings0345.jpg</image:loc>
      <image:title>Cuttings - artist book (OLD LAYOUT)</image:title>
      <image:caption>CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/hothouse-cuttings</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516513218655-FWEPB9GJ3NO7BU114JX4/hothousecuttings_001.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516513232285-02W25U071QVFKFLLQTAA/hothousecuttings_007.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516513223154-2O3LE97TDS1MZAL7FO8S/hothousecuttings_003.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516516287205-N2R9XUJADSKV11BSKBZR/_DSC4358ab.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516517280637-G806VJIIYMOOMFVN0Q9K/_DSC4302abbb.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1516513240948-IEBJOWWQ67MB21ZK5K6K/hothousecuttings_011.jpg</image:loc>
      <image:title>Hothouse Cuttings</image:title>
      <image:caption>Hothouse Cuttings, 2018 cut-up inkjet prints, laser prints, paracord, carabiners, miniature clothespins, hammock swings, grow lights on fabric cord, dried lemons and limes dimensions variable Hothouse Cuttings, Lubeznik Center for the Arts, Michigan City, IN</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/work-in-progress-with-inger</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-03-15</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799655921-W2M0F1NSKBI022029WN2/beaubien_with_inger_001.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799655921-W2M0F1NSKBI022029WN2/beaubien_with_inger_001.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799656191-M91P27NRJCYRIX4GRN3D/beaubien_with_inger_002.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
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      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>With Inger in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II 3-Ring Bound Printed with Canon imagePress C800 Color Digital Press</image:caption>
    </image:image>
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      <image:title>With Inger (OLD LAYOUT) - With Inger</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799705305-GCRVQM1471RYPCT0LSTD/beaubien_with_inger_011.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799705214-H9H4TFJAQRP3YOL24S15/beaubien_with_inger_012.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799712467-0L42BAWE8WBZ8BENHLZB/beaubien_with_inger_015.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799744174-KFNZSCEY1D9FA98YDDEM/beaubien_withInger_017.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799792429-97VYHEJYZIDTT18FBOG1/beaubien_with_inger_018.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799792256-PC4ZWASUH9RPAGHR9M4N/beaubien_with_inger_019.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799659284-37C4GD6EXU9P53W9VLA8/beaubien_with_inger_004.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799662945-WDPTX5HG9NJVV9WKNM6B/beaubien_with_inger_005.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1546732075073-UG02JL9IJ8GSPK457319/IMG_2154.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>With Inger in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II 3-Ring Bound Printed with Canon imagePress C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799665828-09C7Y03G3M86CHAGT3WB/beaubien_with_inger_007.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799668868-OFPISZEA0W3QF1ORZ1LX/beaubien_with_inger_009.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799708936-ZY810SYXG0RE7YJB8DK6/beaubien_with_inger_013.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1536799666171-QGA6HX6XO9ROPQ674U5H/beaubien_with_inger_008.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>work in progress: With Inger At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. ‘I really didn’t know what to look for when I landed in Iceland for the month of June. Inside the reading room of a museum I systematically surveyed the names written along the spines of three-ring binders. Working my way through an army of men lined up for days and years - really wanting to find a woman represented on the shelves of contact sheets - I randomly pulled binders out to study the range of work. More than two-thirds of the way through, I almost started over, almost gave up. And then I found you.’</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1546732079994-A6JBDGPB83QY2VD5V0S0/IMG_2157.jpg</image:loc>
      <image:title>With Inger (OLD LAYOUT)</image:title>
      <image:caption>With Inger in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II 3-Ring Bound Printed with Canon imagePress C800 Color Digital Press</image:caption>
    </image:image>
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  <url>
    <loc>http://www.aimeebeaubien.com/tangled-sensations</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018  cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes  dimensions variable  TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1546726105784-F5NAVOMNT6ITJFNXY680/secrist_004.jpg</image:loc>
      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1546726143227-JVC2LLI4O6GUNXRVG68N/secrist_006.jpg</image:loc>
      <image:title>Tangled Sensations</image:title>
      <image:caption>Tangled Sensations, 2018 cut-up inkjet prints, printed satin, grow lights on fabric cord, hammock chair swings, paracord, carabiners, dried plants-lemons-limes dimensions variable TRUTH CLAIM, Carrie Secrist Gallery, Chicago, IL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/hold-sway</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1554864209394-6ZCGV8GOGMLISTZHWTHI/BEAUBIEN_HEAVEN_0005.jpg</image:loc>
      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1554943853104-8C87JOT2VMKIGQSGQUWX/Beaubien_Contact.jpg</image:loc>
      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder  dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
    </image:image>
    <image:image>
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      <image:title>Hold Sway</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, carabiners, blue lights on fabric cord, three-ring binder dimensions variable Hold Sway, Heaven Gallery, Chicago, IL</image:caption>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/new-gallery</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561407506272-31KVJXKGL09J47GOCVY6/beaubien_rb_001.jpg</image:loc>
      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561407506272-31KVJXKGL09J47GOCVY6/beaubien_rb_001.jpg</image:loc>
      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561407518528-KRS15SHL79506MEOB3UT/beaubien_rb_003.jpg</image:loc>
      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
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      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
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      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
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      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
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      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
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      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561409125166-IUE39BOXLVOVQX48I0GR/beaubien.jpg</image:loc>
      <image:title>Collected Together</image:title>
      <image:caption>Collected Together, 2019 cut-up inkjet prints, paracord, miniature clothespins, lights on fabric cord dimensions variable Roger Brown Residency, New Buffalo, MI</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/contact-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
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      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561502888242-4WDDZ7Y5HB6AIWXNNL7Z/Beaubien_contact_001.jpg</image:loc>
      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
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      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
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      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561502911399-I3N0HNTV0IF2KPOGNG68/beaubien_contact_008.jpg</image:loc>
      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561502904645-5EUQOQKO21CL884L554Q/beaubien_contact_004.jpg</image:loc>
      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561502907975-1REVCIG874MKEWUMXRC9/beaubien_contact_006.jpg</image:loc>
      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
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      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
    <image:image>
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      <image:title>Contact</image:title>
      <image:caption>Contact, 2019 cut-up inkjet prints, paracord, blue lights on fabric cord dimensions variable Aint-Bad: Collaborations, Laney Contemporary Fine Art Savannah, Georgia</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/new-gallery-1</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2019-08-28</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561581805049-3BNREV1AO2T5N714W1B3/ab_001.jpg</image:loc>
      <image:title>Overview</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561581805049-3BNREV1AO2T5N714W1B3/ab_001.jpg</image:loc>
      <image:title>Overview</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561581804996-QVOK3ZHU3BTKMPARLH8K/ab_002.jpg</image:loc>
      <image:title>Overview</image:title>
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    <image:image>
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      <image:title>Overview</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561581808394-72RWGVJ6T9L011ZNKLPN/ab_004.jpg</image:loc>
      <image:title>Overview</image:title>
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    <image:image>
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    <image:image>
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      <image:title>Overview</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1561581814849-93QQA0RV277O9PD0BCR1/ab_007.jpg</image:loc>
      <image:title>Overview</image:title>
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    <image:image>
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      <image:title>Overview</image:title>
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    <image:image>
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    <image:image>
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      <image:title>Overview</image:title>
    </image:image>
    <image:image>
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      <image:title>Overview</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1567028714274-Y3HFKIDY0FBF6WGWIDLA/roger-brown-studio.jpg</image:loc>
      <image:title>Overview</image:title>
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  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/new-gallery-2</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631482391023-EIG7JCAZJ2SZA2Z3M8FA/_DSC3638.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631482391023-EIG7JCAZJ2SZA2Z3M8FA/_DSC3638.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631811434162-ANGYHRPDTRN49DODTJPV/unfurl_unfold_colophon.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
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    <image:image>
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      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631483156964-8HQZHB8XWC2GSTO9BIWY/_DSC3574a.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
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    <image:image>
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      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
    </image:image>
    <image:image>
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      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
      <image:caption>UNFURL UNFOLD: the touch of a leaf, the page felt, 2021 This project is partially supported by a grant from the Illinois Arts Council Agency, a state agency. Printed in collaboration with Angee Lennard at Spudnik Press Cooperative in Chicago, IL. Image-Text-Design Aimée Beaubien screen print and inkjet on Tyvek, uniquely bound with woven paracord A vine began growing near me and I have since tracked its voracious progress. Mesmerized by vines and their steadfast embrace of all that they encounter, I have modeled forms of creating after the various ways that vines touch their surroundings and visualize my preoccupations with books and vines. #UnfurlUnfold #SpudnikPressCooperative #IllinoisArtsCouncilAgency #AiméeBeaubien #Artist’sBook</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631492141720-JLVXHIQB2F25K2QLO7K5/_DSC3572.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631251754748-KNRAMLQG8FXYA1DT3JHD/image-asset.jpeg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
      <image:caption>UNFURL UNFOLD: the touch of a leaf, the page felt, 2021 This project is partially supported by a grant from the Illinois Arts Council Agency, a state agency. Printed in collaboration with Angee Lennard at Spudnik Press Cooperative in Chicago, IL. Image-Text-Design Aimée Beaubien screen print and inkjet on Tyvek, uniquely bound with woven paracord A vine began growing near me and I have since tracked its voracious progress. Mesmerized by vines and their steadfast embrace of all that they encounter, I have modeled forms of creating after the various ways that vines touch their surroundings and visualize my preoccupations with books and vines. #UnfurlUnfold #SpudnikPressCooperative #IllinoisArtsCouncilAgency #AiméeBeaubien #Artist’sBook</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1631486070823-A9MVLZSOJLMG56IK1IY5/_DSC3570a.jpg</image:loc>
      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
    </image:image>
    <image:image>
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      <image:title>UNFURL UNFOLD (OLD LAYOUT)</image:title>
      <image:caption>UNFURL UNFOLD: the touch of a leaf, the page felt, 2021 This project is partially supported by a grant from the Illinois Arts Council Agency, a state agency. Printed in collaboration with Angee Lennard at Spudnik Press Cooperative in Chicago, IL. Image-Text-Design Aimée Beaubien screen print and inkjet on Tyvek, uniquely bound with woven paracord A vine began growing near me and I have since tracked its voracious progress. Mesmerized by vines and their steadfast embrace of all that they encounter, I have modeled forms of creating after the various ways that vines touch their surroundings and visualize my preoccupations with books and vines. #UnfurlUnfold #SpudnikPressCooperative #IllinoisArtsCouncilAgency #AiméeBeaubien #Artist’sBook</image:caption>
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      <image:caption>UNFURL UNFOLD: the touch of a leaf, the page felt, 2021 This project is partially supported by a grant from the Illinois Arts Council Agency, a state agency. Printed in collaboration with Angee Lennard at Spudnik Press Cooperative in Chicago, IL. Image-Text-Design Aimée Beaubien screen print and inkjet on Tyvek, uniquely bound with woven paracord A vine began growing near me and I have since tracked its voracious progress. Mesmerized by vines and their steadfast embrace of all that they encounter, I have modeled forms of creating after the various ways that vines touch their surroundings and visualize my preoccupations with books and vines. #UnfurlUnfold #SpudnikPressCooperative #IllinoisArtsCouncilAgency #AiméeBeaubien #Artist’sBook</image:caption>
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      <image:title>UNFURL UNFOLD: The touch of a leaf, the page felt</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
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      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
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      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178007313-DN3HM28D1YD6I13XXQHM/Cuttings0287.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178009123-GGJZ9WPMRFUR7KL195M4/Cuttings0291.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178010904-B7ZACJT2S354BGWY0IH0/Cuttings0314.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178012785-MTO5RTYQU40TVI4RXQOJ/Cuttings0330.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178015018-MMOV24LT6PQH6EFZJ808/Cuttings0337.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178025480-IN4XEPXXXHLB5C6NIEGB/Cuttings0342.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178027785-VNCGJ6CDJP9R9XJ8Y5VX/Cuttings0344.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178029829-4ZIH3K6QCB3GM9KZR9G4/Cuttings0345.jpg</image:loc>
      <image:title>CUTTINGS</image:title>
      <image:caption>Cuttings, 2017 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientiﬁc taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at diﬀerent speeds: interdependent systems bloom, grow, intertwine, and die. BOOK DETAILS 11 x 17 inches 142 pages Edition of 25 Spiral bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642779785952-KDW182P4T0IFLAN6H2EJ/image-asset.png</image:loc>
      <image:title>CUTTINGS</image:title>
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      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
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      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
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      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
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      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178296998-CYH1BVT67WSS06SBGQY6/beaubien_with_inger_018.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178315589-Q94AW8PUKOW7TDJKQW15/IMG_2154.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178299730-8YB1L4MAFXZRZQE5E562/beaubien_with_inger_019.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178313329-35JAUIC2VA4I3VPXH23M/beaubien_with_inger_005.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178338215-3MF5IOEM18C8KRWW8XMY/beaubien_with_inger_013.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642188313635-YES3YD6UR4LRE962F9JB/beaubien_with_inger_002.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178281258-Z3PHBS8VKLVAZM9N0IQ2/beaubien_with_inger_012.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178261567-NBHPDMP0P8AP2W0Z3C3Y/beaubien_with_inger_001.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II 3-Ring Bound Printed with Canon imagePress C800 Color Digital Press</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178283842-UF9X24RO7L5KKEAZO29I/beaubien_with_inger_015.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178330672-0HAH4LXGMBEUFFLEV058/beaubien_with_inger_009.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178347042-G13TM6JZ22VAGCEBRPXJ/beaubien_with_inger_008.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642178350624-K79WDG2KZ4M88XBUSNLJ/IMG_2157.jpg</image:loc>
      <image:title>WITH INGER</image:title>
      <image:caption>With Inger, 2018 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP At the core of ‘With Inger’ is a chance encounter with a three-ring binder of 35mm black and white contact sheets dating from the early 1970’s. Aimée Beaubien combines her own photographs with those of a stranger. Guided by the photographs of Inger Helene Boasson, Beaubien builds bridges between past and future via the visual records of two women, unknown to one another. Through an unfolding visual expedition of the geographic, architectural, and social landscape of Iceland, Beaubien’s artists’ book embodies an incomplete archive while conjuring a woman whose works were left to the historical periphery. BOOK DETAILS 9.5 x 8 inches 41 pages / 91 folds 1 unique dye sublimation print Edition of 25 3-Ring Bound</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642529733533-UTYXA1MHQOF7DU3DMG59/image-asset.png</image:loc>
      <image:title>WITH INGER</image:title>
    </image:image>
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  <url>
    <loc>http://www.aimeebeaubien.com/new-gallery-3</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534304488-8O9YT3ITOXN0Q16TPD27/IMG_8262.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534304488-8O9YT3ITOXN0Q16TPD27/IMG_8262.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534306107-KQ0WK7IOFWVW2OKSYUZE/IMG_8270.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534305558-GGQEY34HN78UB64QHR6Z/IMG_8266.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534306622-T3F1YFVO82JA7EJMLQWE/IMG_8271.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534305050-IFBE0P2LNZ97WR4VWIW7/IMG_8263.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534307161-TPP8ZE0WIB98TBAQBGQY/IMG_8272.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534307659-XWR63NAPNYW5C9BPQWP8/IMG_8273.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534308217-67CBMD4VUPIVK9QUDC1L/IMG_E8267.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642534309347-X2M8BV2LDNP6LHHU63R4/IMG_E8274.jpg</image:loc>
      <image:title>CONTACT</image:title>
      <image:caption>Contact, 2019 in collaboration with JENNIFER KEATS &amp; THE DONUT SHOP 'I really didn’t know what I was looking for when I landed in Iceland for the month of June. I walked into this museum hoping to discover work new to me. And when I encountered the reading room, I wanted to find a woman represented on the shelves of contact sheets. Beginning on the top left shelf by that makeshift entrance, I systematically read the names written along all of the spines. I worked my way through an army of men lined up for days and years. Disheartened by the search for a woman’s perspective, I randomly pulled out binders just to get a sense of the range of work represented. After making my way through more than two thirds of the shelves, I almost started over. Maybe I wasn’t recognizing gender originating in the Icelandic language. I considered consulting the official Icelandic national registry of 1,853 female names before moving on. And then I found you.' BOOK DETAILS 12.5 x 9.5 inches Open edition 3 zine set with folder cover Rubber band binding</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/open-studio-rootedloopingscramblingramblingtanglingtwiningtendrils</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-21</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642522136370-KXOC9JQEZGCJCJMLJC56/Beaubien_062_010a.jpg</image:loc>
      <image:title>Rooted-looping-scrambling-rambling-tangling-twining-tendrils</image:title>
      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642522133458-ECIPFXC6AWQI7SZ9HFJG/Beaubien_062_005a.jpg</image:loc>
      <image:title>Rooted-looping-scrambling-rambling-tangling-twining-tendrils</image:title>
      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:title>Rooted-looping-scrambling-rambling-tangling-twining-tendrils</image:title>
      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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      <image:caption>Rooted-looping-scrambling-rambling-tangling-twining-tendrils, 2020 cut-up inkjet prints, paracord, polymer chains, porcelain chains, grow lights on fabric cord, miniature clothespins, vintage garden books, PLA filament leaf drawings, gilded leaves, dried lemons, dried plants, branches dimensions variable Open Studio: rooted-looping-scrambling-rambling-tangling-twining-tendrils, 062 Gallery, Chicago, IL</image:caption>
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  <url>
    <loc>http://www.aimeebeaubien.com/edelman</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:title>Hothouse Picture-Cyclopedia</image:title>
      <image:caption>Hothouse Picture-Cyclopedia, 2020 cut-up inkjet prints, printed chiffon, printed mesh, paracord, polymer chains, porcelain chains, miniature clothespins, thread, PLA filament, dried lemons, plants, grow-lights on fabric cord, vintage books dimensions variable New Formations, Catherine Edelman Gallery, Chicago IL</image:caption>
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      <image:title>Hothouse Picture-Cyclopedia</image:title>
      <image:caption>Hothouse Picture-Cyclopedia, 2020 cut-up inkjet prints, printed chiffon, printed mesh, paracord, polymer chains, porcelain chains, miniature clothespins, thread, PLA filament, dried lemons, plants, grow-lights on fabric cord, vintage books dimensions variable New Formations, Catherine Edelman Gallery, Chicago IL</image:caption>
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      <image:title>Hothouse Picture-Cyclopedia</image:title>
      <image:caption>Hothouse Picture-Cyclopedia, 2020 cut-up inkjet prints, printed chiffon, printed mesh, paracord, polymer chains, porcelain chains, miniature clothespins, thread, PLA filament, dried lemons, plants, grow-lights on fabric cord, vintage books dimensions variable New Formations, Catherine Edelman Gallery, Chicago IL</image:caption>
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      <image:title>More Matter in the Hothouse</image:title>
      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:title>More Matter in the Hothouse</image:title>
      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:caption>More Matter in the Hothouse, 2022 Photographs, paracord, miniature clothespins, botanical specimens, filtered light, grow lights Immersive installation, 330 sq. ft. Group exhibition Faculty Sabbatical Triennial Exhibition at SAIC Galleries, Chicago, IL. Air currents circulating through the gallery gently moved the satin-printed photographs, creating a dynamic, kinetic effect. This observation led to incorporating motorized elements to control movement in future installations.</image:caption>
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      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603439922-IK6PQACT33R8UG4CA5B2/_DSC7016.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603445374-00SLHTVLP9COMR1EOAXX/_DSC6592.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603443990-2YEM3KYONCGOCKKWD34H/_DSC6864.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603623437-7IJ559712X13E6I6F5RC/_DSC6776crop.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603446937-DIQFDV0D3BP2WL245P0N/_DSC6465crop.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603440605-NFRD2QCPE0T0F4FBYKSI/_DSC6859_FLAT_to-sharpenaaab.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603170619-6V35MHETMVJW7BK5DRIP/image-asset.jpeg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603442403-1KAGRUYP7D56Y1UWY626/_DSC7048.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759603712866-3UAVVLUDPJ7VSINL692D/_DSC6528.jpg</image:loc>
      <image:title>Into the Hothouse</image:title>
      <image:caption>Into the Hothouse, 2023 Photographs, paracord, bioplastic, miniature clothespins, botanical specimens, grow lights, filtered light. One view of a 2000 square foot immersive installation with 10foot ceiling. Solo exhibition at Gillespie Gallery at Mason Exhibitions in Fairfax, VA. For the first time, I included two of my artist books within this installation. 'Unfurl Unfold' was suspended from the ceiling, with its pages exploding into space. This visceral book reflects on gardens and libraries as conveyors of time. My photograph-based collages examine how plant life—whether immaculately tended or untamed growth—is woven into all aspects of life. Gatefolds expand the book’s dimensions, while the turning of pages reveals inclusions featuring plant-inspired poetry and visual clues to horticulture-related books referenced throughout. Imagery includes cut-up and woven photographs of plant matter, still lifes of books from my personal library, and documentation of my immersive installations.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/through-the-hothouse</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605434272-9O4BSSPJKOIF8T9KAD70/image-asset.jpeg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605434272-9O4BSSPJKOIF8T9KAD70/image-asset.jpeg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605654892-D0XDE8U56TJHC6WHQWZ3/_DSC7301.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse, 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605655392-KQWHDT88FOSNF1KDQL6Y/_DSC7252crop.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605657379-JHO28QFBDNB118G0V9K1/_DSC7210.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605658710-Z2G1Y100LADEG7ZSWG1I/_DSC7188.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605660029-IXPC9SMVUIBKMJXUGWDV/_DSC7197.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605661251-N0TY0FJLNWLH4Q5IZT1N/Beaubien_HPAC_011.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605662508-S9QD43XSJV22VQFRBCI6/_DSC7174.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759605663965-UQ7VXVN5QEVS9OG52ZOD/_DSC7186.jpg</image:loc>
      <image:title>Through the Hothouse</image:title>
      <image:caption>Through the Hothouse (detail), 2024 Photographs, paracord, miniature clothespins, papier-mâché, bioplastic, gold leaf, botanical specimens, grow lights, filtered light. Details from a 92-foot-long immersive installation transforming a vital hallway into an imaginative greenway. Solo exhibition at Hyde Park Art Center in Chicago, IL. My ephemeral assemblages mimic the interdependent structures of ecosystems, offering a web of connections that, like reading a photograph, prompt reflection on the boundaries between the tangible and the imagined.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/hold-tight</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607631215-JS9RI5KBA895QYVXAF4J/DSC03768.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607631215-JS9RI5KBA895QYVXAF4J/DSC03768.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607771609-LD0LP640XBU7NMIVDLJJ/DSC03786.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607772257-UBCS9AQWY4MRMLC15FL5/DSC03820-1.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607774057-HCNDFXDU52JIRDE1YNJ0/_DSC9720.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607775302-EYYDXR1XFPK56WQITO1M/DSC03806.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759607776602-N9UFR4YNHFWC63E5G0CO/_DSC0031Crop.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759608768063-MPMRUOQ73XAD54L49CLW/IMG_5968.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759608769773-LK9SM5J05PZJMC686STM/IMG_5832.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759608860509-9LG79H6A8LZ8JN82IJX8/IMG_5986.jpg</image:loc>
      <image:title>Hold Tight</image:title>
      <image:caption>Hold Tight, 2024 Materials: Photographs, paracord, driftwood Dimensions: Site-specific installation in 418 square foot unconventional, outdoor exhibition space with 15foot tall walls Exhibition: Solo exhibition at NON STNDRD, Sauget, IL</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/with-sunflowers-in-the-hothouse</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2025-10-04</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609119411-3KW126NXW339QKLQWNWE/_DSC8262-better.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609119411-3KW126NXW339QKLQWNWE/_DSC8262-better.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
    </image:image>
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      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609321913-GJ4KQQE05ORXYA6MXZKM/_DSC8699.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609968395-9VB79N2CMRIVDGQQ4B0E/_DSC8112.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609526896-HVI1KQJIW3FW89BVP99K/_DSC9300.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759609185100-78J5K3W4JVKW3R06OGZJ/_DSC8852-Better.jpg</image:loc>
      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
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      <image:title>With Sunflowers in the Hothouse</image:title>
      <image:caption>With Sunflowers in the Hothouse, 2024 Photographs, paracord, miniature clothespins, bioplastic, gold leaf, botanical specimens, book, grow lights. Immersive installation, 750 sq. ft. Solo exhibition at Seerveld Gallery, Palos Heights, IL My work is labor-intensive, yet its components are adaptable, with this installation highlighting the fragility of nature. Plants encased in bioplastics and suspended from woven paracord create an evolving, immersive collage environment that I modify to suit each new space and timeline—much like the steady growth of vines.</image:caption>
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  <url>
    <loc>http://www.aimeebeaubien.com/hothouse-on-the-upside</loc>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611294542-IY2US1SLK8TJB5I2E7N0/Strathmore-full-view.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611294542-IY2US1SLK8TJB5I2E7N0/Strathmore-full-view.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611088846-24NM2G6RH6PTJTU61B2H/_DSC0080sat.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759612359178-65C3LULXM79ESLM0S2FB/Strathmore_AB_002.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611219698-JZ8BYEF5UUDQDXWG3KOC/_DSC0179.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759612481109-1L75I4PN6PJ8W1Z0HUVW/_DSC0100.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611231573-0GZ6GI17BMTI44P9IUCT/strathmore-more.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611239317-RYTZFEG41D40P2SDNBYY/Strathmore-sunflowers.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1759611416296-7QIYSBD2S6XVX5V4XP56/_DSC0087.jpg</image:loc>
      <image:title>Hothouse on the upside</image:title>
      <image:caption>Hothouse on the upside, 2025 Paracord, photographs, bioplastic, plant matter, filtered light. Site-specific installation measuring 39 ft. long × 14 ft. wide, installed in a space with 18-ft. ceilings at Strathmore in Bethesda, MD For this installation, I reimagined the genre of landscape. Floating plant materials and photographic imagery expands above arms reach. On view through a vital passage way, my materials compositions that bridge natural and constructed worlds, the tangible and aspirational, and memory with the photographic could be walked under during the day and on view through floor to ceiling windows by night.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/abouttest</loc>
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    <priority>0.75</priority>
    <lastmod>2014-07-26</lastmod>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1406058324464-AGHSFZJ8696XZ8Z6XMSQ/beaubien10.jpg</image:loc>
      <image:title>About</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1406058697869-3NZLC3SOFES74HAFSZJS/about.jpg</image:loc>
      <image:title>About</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/bio-cv</loc>
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    <lastmod>2014-07-07</lastmod>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/contact-3</loc>
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    <lastmod>2022-01-21</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/5fb6d841-50fb-473d-9ad3-5601cee7a53d/hyde-park-art-center-detail.jpg</image:loc>
      <image:title>Contact - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
  </url>
  <url>
    <loc>http://www.aimeebeaubien.com/unfurl-unfold-test</loc>
    <changefreq>daily</changefreq>
    <priority>0.75</priority>
    <lastmod>2022-01-14</lastmod>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177740897-QZZF0U4B0WOZM3SHPHDU/_DSC3638.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177756549-55KWPRFCPBGMR57N6SWT/unfurl_unfold_colophon.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177772920-IA0AHW8O237Q50CC6W8T/_DSC3574a.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177781260-7D1EEC9DINJTILRSMFBN/_DSC3572.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177785355-SXHGY473PXZYSFD6EP98/_DSC3570a.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1643238209561-2AW64T43EOU5DAQ4ERL0/Unfurl_Unfold_vine_lace.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177798222-G9BIIGWPL8FH5GRP8ARR/_DSC3583.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177807349-NOEN6OVS6D73BKEQZSI7/_DSC3579-2.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
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      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177822156-JKI2A6GCF2WN0X3HCICN/_DSC3590.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177824291-US1906RO3H6BY6L22V86/_DSC3596.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1643238238794-FS54B7X0BUO4BEP677XQ/Unfurl_Unfold_morning_glory.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642177826965-OBTVW8UV63RWRW5OM57E/_DSC3637.jpg</image:loc>
      <image:title>unfurl unfold test</image:title>
      <image:caption>Unfurl Unfold: the touch of a leaf, the page in a book felt, 2021 in collaboration with ANGEE LENNARD &amp; SPUDNIK PRESS COOPERATIVE and partially supported by a grant from the Illinois Arts Council Agency Mesmerized by vines and their steadfast embrace of all that they encounter, Beaubien has created an artist book in which the reading experience mimics the movements of a growing vine. Gatefolds allow the reader to expand the dimensions of the book while the turning of pages reveal inclusions that feature plant-inspired poetry and clues to the many horticulture-related books visually referenced throughout the book. Imagery in this book include cut-up and woven photographs of plant matter, still lifes featuring books from the Beaubien’s personal library, and documentation of her immersive art installations. Through combining screenprinting and inkjet printing, the artist was liberated from the expectations of conventional photography. Beaubien dissected her compositions, at times literally peeling layers of a photograph into distinct color fields, and at times rebuilding new fantastical compositions and color palettes. This visceral book has been assembled for aesthetic pleasure as well as to reflect on how gardens and libraries portray time, and examine how plant life, be it immaculately tended or untamed growth, is integrated into all aspects of life. BOOK DETAILS. 10 x 13 inches Edition of 25 Hand-sewn French link stitch binding with paracord</image:caption>
    </image:image>
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  <url>
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      <image:title>Test page for 2018 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/63792086-d507-4b6f-8f0b-034713572fa3/AB_secrist_abcam_0226-as-Smart-Object-1.jpg</image:loc>
      <image:title>Test page for 2018 - Make it stand out</image:title>
      <image:caption>Whatever it is, the way you tell your story online can make all the difference.</image:caption>
    </image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642182241710-0WP3DFWQ4WT7C8G46IXK/hothousecuttings_002.jpg</image:loc>
      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642182245862-ZD2JRHQV3RJ6LDU1R03P/hothousecuttings_003.jpg</image:loc>
      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642182246582-50X7WPTMNVMUHPG95AYZ/hothousecuttings_004.jpg</image:loc>
      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
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    <image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
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    <image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
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      <image:title>Hothouse Cuttings Test</image:title>
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    <image:image>
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      <image:title>Hothouse Cuttings Test</image:title>
    </image:image>
    <image:image>
      <image:loc>https://images.squarespace-cdn.com/content/v1/53af0a35e4b0e2bdbc9e7be3/1642182262930-SB9GKS19E7011SYHXGW6/hothousecuttings_011.jpg</image:loc>
      <image:title>Hothouse Cuttings Test</image:title>
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      <image:title>2017 - Cuttings</image:title>
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      <image:title>2017 - Growing Light Shadows</image:title>
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  <url>
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      <image:title>Cuttings test page</image:title>
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    <image:image>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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      <image:title>Cuttings test page</image:title>
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  <url>
    <loc>http://www.aimeebeaubien.com/2015</loc>
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    <lastmod>2025-09-30</lastmod>
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