CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS & THE DONUT SHOP

CUTTINGS, BY AIMÉE BEAUBIEN

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

 CUTTINGS  Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness.  Cuttings  presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.  BOOK DETAILS  11x17 142 pages Edition of 25 Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper Bound with Plastic Coil Printed with C800 Color Digital Press

CUTTINGS

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press

CUTTINGS, BY AIMÉE BEAUBIEN in collaboration with JENNIFER KEATS & THE DONUT SHOP

CUTTINGS, BY AIMÉE BEAUBIEN

Gardens portray time. Immaculately tended or grown wild; in public space or as private refuge, gardens are collections. Culled from the orderliness of scientific taxonomies, we assemble our gardens for aesthetic pleasures, and for contact with wildness. Cuttings presents some of the raw materials Beaubien incorporates into her garden installations where cut forms interweave, encircle, and hang; trail in ribbon-like shreds; and become wild ornamental outgrowths. “In the archive of family pictures I have inherited, it is evident that my great-grandmother photographed her garden throughout the seasons and her lifetime. Now I photograph in my tiny backyard garden, in my mother’s amazing garden in Florida, and in the botanical gardens near each of our homes.” In these spaces, varied life cycles move at different speeds: interdependent systems bloom, grow, intertwine, and die.

BOOK DETAILS

11x17
142 pages
Edition of 25
Printed on Neenah Classic Crest - Solar White + Neenah UV/Ultra II Translucent Paper
Bound with Plastic Coil
Printed with C800 Color Digital Press